Industry Town: The Avant-Garde & Hollywood

NOTE: Filmforum members also get free admission to all Alternative Projections shows. Students/seniors – $6 admission. To receive your free or discounted rate for online pre-sales, you must purchase your ticket(s) online ahead of time, and you will receive your discount back in cash at the box office before the show.

Tonight’s eruptive experiments come courtesy of filmmakers whose works play explicitly with the commercial film industry (Hollywood and beyond), parodying and often willfully mutating its staid structures, inverting the intended messages of classic and not-so-classic films by using familiar signifiers as raw material. The program kicks off with a brazenly cynical 1928 silent shot by Citizen Kane cinematographer Gregg Toland, then jumps into the ‘60s/‘70s counter-culture with Peter Mays’ hallucinatory dream screens, George Lucas’ auspicious abstract docu-poem 6-18-67, conceptual collage legend John Baldessari’s rare and cryptic Title, and more!

- The Life and Death of 9413: A Hollywood Extra (Robert Florey, Slavko Vorkapich, & Gregg Toland, 1928, 16mm or 35mm, B&W, silent, 11 min.)
- Death of the Gorilla (Peter Mays, 1966, 16mm, color, 16 min. Restored print from the Academy Film Archive)
- 6-18-67 (George Lucas, 1967, 5 min)
- Title (John Baldessari, 1971, 16mm, b/w & color, sound, 20 min.)
- Cue Rolls (Morgan FIsher, 1974, 16mm, colour, sound, 5:30)
- Zebra Skin Clutch (Cynthia Maughan, 1977-78, B&W, 2:03, )
- Based on Romance (Bruce & Norman Yonemoto, 1979, 24:15)

Watch an excerpt from “The Life and Death of 9413: A Hollywood Extra”!