Michael (one-week run!)
Taut directorial debut from close Michael Haneke collaborator!
BUY TICKETS ($12/free for members):
Thursday, February 16th: 5:30pm, 7:45pm
Friday, February 17th: 5:15pm
Saturday, February 18th: 5:00pm
Sunday, February 19th: 5:15pm, 10:20pm
Monday, February 20th: 5:15pm
Tuesday, February 21st: 5:30pm, 10:35pm
Wednesday, February 22nd: 5:45pm
Thursday, February 23rd: 1:20pm
Friday, February 24th: 7:45pm
Saturday, February 25th: 4:30pm
Friday, February 17th: 5:15pm
Saturday, February 18th: 5:00pm
Sunday, February 19th: 5:15pm, 10:20pm
Monday, February 20th: 5:15pm
Tuesday, February 21st: 5:30pm, 10:35pm
Wednesday, February 22nd: 5:45pm
Thursday, February 23rd: 1:20pm
Friday, February 24th: 7:45pm
Saturday, February 25th: 4:30pm
In a seamless package that’s both as taut as a death grip and as placid as a walk in the winter snow, Markus Schleinzer’s compelling, haunting directorial debut sets a new world record for the darkest of character studies, as it follows five months in the lives of a secret pedophile and the ten-year-old boy he keeps imprisoned in his basement. Smartly showing only what the audience needs to see, Schleinzer doesn’t represent Michaels controversial subject matter graphically — as he knows what’s implied is infinitely more unsettling that anything that could be explicitly shown. A former casting director for Austrian master Michael Haneke, Schleinzer also knows how to fill the screen with pitch-perfect characterizations, and here expertly brings together a finely-tuned duo of creepazoid telemarketer (Michael Fuith, in a brilliant turn devoid of obvious tics) and young victim resigned to his fate (David Rachenberger, wise well beyond his years.) Amongst an unsettlingly non-judgmental and jet-black comic atmosphere, Michael places you as close as possible to a very real-world picture that feels all too normal for comfort.
Dir. Markus Schleinzer, 2011, 35mm, 94 min.
Watch the trailer for “Michael”!
Michael (2/25, 4:30pm)
In a seamless package that’s both as taut as a death grip and as placid as a walk in the winter snow, Markus Schleinzer’s compelling, haunting directorial debut sets a new world record for the darkest of character studies, as it follows five months in the lives of a secret pedophile and the ten-year-old boy he keeps imprisoned in his basement. Smartly showing only what the audience needs to see, Schleinzer doesn’t represent Michaels controversial subject matter graphically — as he knows what’s implied is infinitely more unsettling that anything that could be explicitly shown. A former casting director for Austrian master Michael Haneke, Schleinzer also knows how to fill the screen with pitch-perfect characterizations, and here expertly brings together a finely-tuned duo of creepazoid telemarketer (Michael Fuith, in a brilliant turn devoid of obvious tics) and young victim resigned to his fate (David Rachenberger, wise well beyond his years.) Amongst an unsettlingly non-judgmental and jet-black comic atmosphere, Michael places you as close as possible to a very real-world picture that feels all too normal for comfort.
Dir. Markus Schleinzer, 2011, 35mm, 96 min.
Watch the trailer for “Michael”!
Michael (2/24, 7:45pm)
In a seamless package that’s both as taut as a death grip and as placid as a walk in the winter snow, Markus Schleinzer’s compelling, haunting directorial debut sets a new world record for the darkest of character studies, as it follows five months in the lives of a secret pedophile and the ten-year-old boy he keeps imprisoned in his basement. Smartly showing only what the audience needs to see, Schleinzer doesn’t represent Michaels controversial subject matter graphically — as he knows what’s implied is infinitely more unsettling that anything that could be explicitly shown. A former casting director for Austrian master Michael Haneke, Schleinzer also knows how to fill the screen with pitch-perfect characterizations, and here expertly brings together a finely-tuned duo of creepazoid telemarketer (Michael Fuith, in a brilliant turn devoid of obvious tics) and young victim resigned to his fate (David Rachenberger, wise well beyond his years.) Amongst an unsettlingly non-judgmental and jet-black comic atmosphere, Michael places you as close as possible to a very real-world picture that feels all too normal for comfort.
Dir. Markus Schleinzer, 2011, 35mm, 96 min.
Watch the trailer for “Michael”!
Michael (2/23, 1:20pm)
In a seamless package that’s both as taut as a death grip and as placid as a walk in the winter snow, Markus Schleinzer’s compelling, haunting directorial debut sets a new world record for the darkest of character studies, as it follows five months in the lives of a secret pedophile and the ten-year-old boy he keeps imprisoned in his basement. Smartly showing only what the audience needs to see, Schleinzer doesn’t represent Michaels controversial subject matter graphically — as he knows what’s implied is infinitely more unsettling that anything that could be explicitly shown. A former casting director for Austrian master Michael Haneke, Schleinzer also knows how to fill the screen with pitch-perfect characterizations, and here expertly brings together a finely-tuned duo of creepazoid telemarketer (Michael Fuith, in a brilliant turn devoid of obvious tics) and young victim resigned to his fate (David Rachenberger, wise well beyond his years.) Amongst an unsettlingly non-judgmental and jet-black comic atmosphere, Michael places you as close as possible to a very real-world picture that feels all too normal for comfort.
Dir. Markus Schleinzer, 2011, 35mm, 96 min.
Watch the trailer for “Michael”!
Michael (2/22, 5:45pm)
In a seamless package that’s both as taut as a death grip and as placid as a walk in the winter snow, Markus Schleinzer’s compelling, haunting directorial debut sets a new world record for the darkest of character studies, as it follows five months in the lives of a secret pedophile and the ten-year-old boy he keeps imprisoned in his basement. Smartly showing only what the audience needs to see, Schleinzer doesn’t represent Michaels controversial subject matter graphically — as he knows what’s implied is infinitely more unsettling that anything that could be explicitly shown. A former casting director for Austrian master Michael Haneke, Schleinzer also knows how to fill the screen with pitch-perfect characterizations, and here expertly brings together a finely-tuned duo of creepazoid telemarketer (Michael Fuith, in a brilliant turn devoid of obvious tics) and young victim resigned to his fate (David Rachenberger, wise well beyond his years.) Amongst an unsettlingly non-judgmental and jet-black comic atmosphere, Michael places you as close as possible to a very real-world picture that feels all too normal for comfort.
Dir. Markus Schleinzer, 2011, 35mm, 96 min.
Watch the trailer for “Michael”!
Michael (2/21, 10:35pm)
In a seamless package that’s both as taut as a death grip and as placid as a walk in the winter snow, Markus Schleinzer’s compelling, haunting directorial debut sets a new world record for the darkest of character studies, as it follows five months in the lives of a secret pedophile and the ten-year-old boy he keeps imprisoned in his basement. Smartly showing only what the audience needs to see, Schleinzer doesn’t represent Michaels controversial subject matter graphically — as he knows what’s implied is infinitely more unsettling that anything that could be explicitly shown. A former casting director for Austrian master Michael Haneke, Schleinzer also knows how to fill the screen with pitch-perfect characterizations, and here expertly brings together a finely-tuned duo of creepazoid telemarketer (Michael Fuith, in a brilliant turn devoid of obvious tics) and young victim resigned to his fate (David Rachenberger, wise well beyond his years.) Amongst an unsettlingly non-judgmental and jet-black comic atmosphere, Michael places you as close as possible to a very real-world picture that feels all too normal for comfort.
Dir. Markus Schleinzer, 2011, 35mm, 96 min.
Watch the trailer for “Michael”!
Michael (2/21, 5:30pm)
In a seamless package that’s both as taut as a death grip and as placid as a walk in the winter snow, Markus Schleinzer’s compelling, haunting directorial debut sets a new world record for the darkest of character studies, as it follows five months in the lives of a secret pedophile and the ten-year-old boy he keeps imprisoned in his basement. Smartly showing only what the audience needs to see, Schleinzer doesn’t represent Michaels controversial subject matter graphically — as he knows what’s implied is infinitely more unsettling that anything that could be explicitly shown. A former casting director for Austrian master Michael Haneke, Schleinzer also knows how to fill the screen with pitch-perfect characterizations, and here expertly brings together a finely-tuned duo of creepazoid telemarketer (Michael Fuith, in a brilliant turn devoid of obvious tics) and young victim resigned to his fate (David Rachenberger, wise well beyond his years.) Amongst an unsettlingly non-judgmental and jet-black comic atmosphere, Michael places you as close as possible to a very real-world picture that feels all too normal for comfort.
Dir. Markus Schleinzer, 2011, 35mm, 96 min.
Watch the trailer for “Michael”!
Michael (2/20, 5:15pm)
In a seamless package that’s both as taut as a death grip and as placid as a walk in the winter snow, Markus Schleinzer’s compelling, haunting directorial debut sets a new world record for the darkest of character studies, as it follows five months in the lives of a secret pedophile and the ten-year-old boy he keeps imprisoned in his basement. Smartly showing only what the audience needs to see, Schleinzer doesn’t represent Michaels controversial subject matter graphically — as he knows what’s implied is infinitely more unsettling that anything that could be explicitly shown. A former casting director for Austrian master Michael Haneke, Schleinzer also knows how to fill the screen with pitch-perfect characterizations, and here expertly brings together a finely-tuned duo of creepazoid telemarketer (Michael Fuith, in a brilliant turn devoid of obvious tics) and young victim resigned to his fate (David Rachenberger, wise well beyond his years.) Amongst an unsettlingly non-judgmental and jet-black comic atmosphere, Michael places you as close as possible to a very real-world picture that feels all too normal for comfort.
Dir. Markus Schleinzer, 2011, 35mm, 96 min.
Watch the trailer for “Michael”!
Michael (2/19, 10:20pm)
In a seamless package that’s both as taut as a death grip and as placid as a walk in the winter snow, Markus Schleinzer’s compelling, haunting directorial debut sets a new world record for the darkest of character studies, as it follows five months in the lives of a secret pedophile and the ten-year-old boy he keeps imprisoned in his basement. Smartly showing only what the audience needs to see, Schleinzer doesn’t represent Michaels controversial subject matter graphically — as he knows what’s implied is infinitely more unsettling that anything that could be explicitly shown. A former casting director for Austrian master Michael Haneke, Schleinzer also knows how to fill the screen with pitch-perfect characterizations, and here expertly brings together a finely-tuned duo of creepazoid telemarketer (Michael Fuith, in a brilliant turn devoid of obvious tics) and young victim resigned to his fate (David Rachenberger, wise well beyond his years.) Amongst an unsettlingly non-judgmental and jet-black comic atmosphere, Michael places you as close as possible to a very real-world picture that feels all too normal for comfort.
Dir. Markus Schleinzer, 2011, 35mm, 96 min.
Watch the trailer for “Michael”!
Michael (2/19, 5:15pm)
In a seamless package that’s both as taut as a death grip and as placid as a walk in the winter snow, Markus Schleinzer’s compelling, haunting directorial debut sets a new world record for the darkest of character studies, as it follows five months in the lives of a secret pedophile and the ten-year-old boy he keeps imprisoned in his basement. Smartly showing only what the audience needs to see, Schleinzer doesn’t represent Michaels controversial subject matter graphically — as he knows what’s implied is infinitely more unsettling that anything that could be explicitly shown. A former casting director for Austrian master Michael Haneke, Schleinzer also knows how to fill the screen with pitch-perfect characterizations, and here expertly brings together a finely-tuned duo of creepazoid telemarketer (Michael Fuith, in a brilliant turn devoid of obvious tics) and young victim resigned to his fate (David Rachenberger, wise well beyond his years.) Amongst an unsettlingly non-judgmental and jet-black comic atmosphere, Michael places you as close as possible to a very real-world picture that feels all too normal for comfort.
Dir. Markus Schleinzer, 2011, 35mm, 96 min.
Watch the trailer for “Michael”!
Michael (2/18, 5:00pm)
In a seamless package that’s both as taut as a death grip and as placid as a walk in the winter snow, Markus Schleinzer’s compelling, haunting directorial debut sets a new world record for the darkest of character studies, as it follows five months in the lives of a secret pedophile and the ten-year-old boy he keeps imprisoned in his basement. Smartly showing only what the audience needs to see, Schleinzer doesn’t represent Michaels controversial subject matter graphically — as he knows what’s implied is infinitely more unsettling that anything that could be explicitly shown. A former casting director for Austrian master Michael Haneke, Schleinzer also knows how to fill the screen with pitch-perfect characterizations, and here expertly brings together a finely-tuned duo of creepazoid telemarketer (Michael Fuith, in a brilliant turn devoid of obvious tics) and young victim resigned to his fate (David Rachenberger, wise well beyond his years.) Amongst an unsettlingly non-judgmental and jet-black comic atmosphere, Michael places you as close as possible to a very real-world picture that feels all too normal for comfort.
Dir. Markus Schleinzer, 2011, 35mm, 96 min.
Watch the trailer for “Michael”!
Michael (2/17, 5:15pm)
In a seamless package that’s both as taut as a death grip and as placid as a walk in the winter snow, Markus Schleinzer’s compelling, haunting directorial debut sets a new world record for the darkest of character studies, as it follows five months in the lives of a secret pedophile and the ten-year-old boy he keeps imprisoned in his basement. Smartly showing only what the audience needs to see, Schleinzer doesn’t represent Michaels controversial subject matter graphically — as he knows what’s implied is infinitely more unsettling that anything that could be explicitly shown. A former casting director for Austrian master Michael Haneke, Schleinzer also knows how to fill the screen with pitch-perfect characterizations, and here expertly brings together a finely-tuned duo of creepazoid telemarketer (Michael Fuith, in a brilliant turn devoid of obvious tics) and young victim resigned to his fate (David Rachenberger, wise well beyond his years.) Amongst an unsettlingly non-judgmental and jet-black comic atmosphere, Michael places you as close as possible to a very real-world picture that feels all too normal for comfort.
Dir. Markus Schleinzer, 2011, 35mm, 96 min.
Watch the trailer for “Michael”!
Michael (2/16, 7:45pm)
In a seamless package that’s both as taut as a death grip and as placid as a walk in the winter snow, Markus Schleinzer’s compelling, haunting directorial debut sets a new world record for the darkest of character studies, as it follows five months in the lives of a secret pedophile and the ten-year-old boy he keeps imprisoned in his basement. Smartly showing only what the audience needs to see, Schleinzer doesn’t represent Michaels controversial subject matter graphically — as he knows what’s implied is infinitely more unsettling that anything that could be explicitly shown. A former casting director for Austrian master Michael Haneke, Schleinzer also knows how to fill the screen with pitch-perfect characterizations, and here expertly brings together a finely-tuned duo of creepazoid telemarketer (Michael Fuith, in a brilliant turn devoid of obvious tics) and young victim resigned to his fate (David Rachenberger, wise well beyond his years.) Amongst an unsettlingly non-judgmental and jet-black comic atmosphere, Michael places you as close as possible to a very real-world picture that feels all too normal for comfort.
Dir. Markus Schleinzer, 2011, 35mm, 96 min.
Watch the trailer for “Michael”!
Michael (2/16, 5:30pm)
In a seamless package that’s both as taut as a death grip and as placid as a walk in the winter snow, Markus Schleinzer’s compelling, haunting directorial debut sets a new world record for the darkest of character studies, as it follows five months in the lives of a secret pedophile and the ten-year-old boy he keeps imprisoned in his basement. Smartly showing only what the audience needs to see, Schleinzer doesn’t represent Michaels controversial subject matter graphically — as he knows what’s implied is infinitely more unsettling that anything that could be explicitly shown. A former casting director for Austrian master Michael Haneke, Schleinzer also knows how to fill the screen with pitch-perfect characterizations, and here expertly brings together a finely-tuned duo of creepazoid telemarketer (Michael Fuith, in a brilliant turn devoid of obvious tics) and young victim resigned to his fate (David Rachenberger, wise well beyond his years.) Amongst an unsettlingly non-judgmental and jet-black comic atmosphere, Michael places you as close as possible to a very real-world picture that feels all too normal for comfort.
Dir. Markus Schleinzer, 2011, 35mm, 96 min.
Watch the trailer for “Michael”!
