FREE SNEAK PREVIEW: The Heart, She Holler - Season 3 (Patton Oswalt, Vernon Chatman & more in person!)

heartshe_website
11/24 - 8PM
free (first-come, first-served w/ registration)

Co-presented by [adult swim]. Series co-creator Vernon Chatman, star Patton Oswalt & more in person!

NOTE: To help us track attendance, you must pre-register for “first-come, first-serve” admission. Your registration does not guarantee you a seat.

From the creatrix between Wonder Showzen & Xavier: Renegade Angel was born The Heart, She Holler: a soap opera about people who don’t use no soap and ain’t never seen no opera. Come sneak a peek into the privy that is Season 3. Ask the most important questions of the cast — why?!?!? Why are our collective nightmares a pile of deep-fried trash?

NOTE: admission for this show is 18+.

Watch the trailer for “The Heart, She Holler” – Season 3!
YouTube Preview Image

ABD 2014 / OFFSITE @ THE ECHOPLEX: Bob Dorough presents: The Music of "Schoolhouse Rock" LIVE!

schoolhouserock_website
11/24 - 8PM
all pre-sale tix $20 / door $25

LOCATION: The Echoplex, 1822 Sunset Blvd., 90026 (The Echoplex is located below The Echo, enter through the alley at 1154 Glendale Blvd.) NOTE: this event does not take place at the Silent Movie Theater location.

Forever warmly embedded in our hearts and minds, Schoolhouse Rock! sits gilded in the pantheon of radical ‘70s educational TV that revolutionized how generations learned. It forged little heroes of multiplication, helped us hook up words and phrases and clauses, and taught us how an anthropomorphic bill becomes a law. Its iconic look defined the era’s animated aesthetic, and its funky songs are so enmeshed in our collective psyche that the mere mention a title like “Three Is A Magic Number” instantly brings back a flood of tender memories. At the core of this cultural phenomenon is revered jazz cat Bob Dorough, who, after many years collaborating with the likes of Miles Davis and Blossom Dearie, penned (and often sang) a huge number of Schoolhouse Rock’s effervescent tunes. The legendary 90-years-young Dorough, along with Schoolhouse co-creator George Newall, will share how the whole thing came to be — all capped by a once-in-a-lifetime set by Bob and his band of all your favorite Schoolhouse songs.

Watch Cinefamily’s original trailer for “The Music of Schoolhouse Rock: LIVE!”

ANIMATION BREAKDOWN 2014: Disney's "Feast" Behind-The-Scenes Panel & Screening

feast_website
11/25 - 7:30PM
$12/free for members

“To call ‘Feast’ a hit with that [Annecy Film Festival premiere] crowd would be an understatement: Erupting with laughter early on, then moved to the brink of tears in almost record time, the audience erupted into applause when the credits rolled, and then, realizing that clapping wasn’t enough to convey their enthusiasm, began stomping loudly on the bleacher seating while director Patrick Osborne stood stunned and speechless, overwhelmed by the response.” — Variety

Walt Disney Animation Studios has done something tremendously wonderful over the last few years that’s been forward-thinking for the evolution of the art: they’ve green-lit short subjects to accompany their blockbuster features that combine both 2D and 3D techniques in breathtaking ways. Under this program, 2012’s Paperman won the Oscar for Best Animated Short Subject, 2013’s Get A Horse! (which used vintage Disney characters like Mickey Mouse and Oswald the Lucky Rabbit) was Oscar-nominated — and this year’s Feast is on track to be just as legendary. Feast is the story of one man’s love life as seen through the eyes of his best friend and dog, Winston, and revealed bite by bite through the meals they share. After a screening of the short, both director Patrick Osbourne and producer Kristina Reed will join us onstage for an engaging Q&A panel, complete with behind-the-scenes footage and a tour through Meander, Disney’s new animation process that allows for the expressiveness of 2D drawing to interact with with the dimensionality of 3D in previously unexplored ways.

Watch the trailer for Disney’s “Feast”!
YouTube Preview Image

ANIMATION BREAKDOWN 2014: Son of the White Mare (encore!)

feherlofia_480
11/25 - 10:15PM
$12/free for members

It’s right there in our mission statement: ABD is dedicated to bringing you mind-blowing animation of all stripes, past and present. Well, we’re about to make gooder than good on that promise. The word “psychedelic” gets thrown around willy-nilly, especially with regards to animation — and while we’ve seen a lot of far-out stuff in our travels, Son of the White Mare is certainly THE most psychedelic animated feature ever inked, and one of the most beautiful. A kaleidoscopic, rainbow-colored devastator of sight and sound. Watching it is an immersive, consciousness-altering experience more akin to that of 2001 and The Holy Mountain, than Yellow Submarine or Fantastic Planet. Director/wizard Marcell Jankovics (crowned as “the Walt Disney of Hungary”) lifts his fairy tale straight from Euro folk legend, seamlessly filtering its sword-wielding, dragon-slaying creation-myth narrative through a range of disparate aesthetics like ancient art, ‘60s poster design, and art deco/nouveau touches. What results is an overwhelming visual feast on which to gorge your eyes. Your new favorite animated film; come and get your mind properly blown, folks.
Dir. Marcell Jankovics, 1981, 35mm, 90 min.

Watch Cinefamily’s original trailer for “Son of the White Mare”! NOTE: this trailer contains our original playdate of Thursday 11/20. This encore takes place on Tuesday, 11/25.

Pulp: a Film About Life, Death & Supermarkets (11/26, 7:30pm)

pulp3_480_309
11/26 - 7:30PM
$12/free for members

Pulp, best known stateside for their deliriously infectious anthem “Common People”, are one of the quintessential Britpop bands, so distinctly carrying their Northern UK heritage on their sleeve that to know them is to become an honorary citizen of Sheffield, their hometown. Taking that to heart, co-director Florian Habicht teams up with highly charismatic Pulp frontman Jarvis Cocker to produce both a concert film chronicling the band’s 2012 farewell Sheffield show, and a “family album” of Sheffield regulars: the Common People. Habicht gets these vox populists to wax fondly about what the town means to them, and how Pulp has woven itself into the very fabric of the town’s lasting culture. “Cocker’s knack for keeping it real, for drawing from regular experience and feeding back into it, is the film’s effortlessly realised QED. If you ever had your head invaded for days on end by Pulp’s ‘Common People’, prepare to have it reoccupied, this time with a portrait gallery for company. If you haven’t, there could hardly be a more irresistible invitation to join the party.” (New Zealand Int’l Film Festival)
Dir. Florian Habicht, 2014, DCP, 90 min.

Watch the trailer for “Pulp: a Film About Life, Death & Supermarkets”!
YouTube Preview Image

Pulp: a Film About Life, Death & Supermarkets (11/26, 9:45pm)

pulp_480_309
11/26 - 9:45PM
$12/free for members

Pulp, best known stateside for their deliriously infectious anthem “Common People”, are one of the quintessential Britpop bands, so distinctly carrying their Northern UK heritage on their sleeve that to know them is to become an honorary citizen of Sheffield, their hometown. Taking that to heart, co-director Florian Habicht teams up with highly charismatic Pulp frontman Jarvis Cocker to produce both a concert film chronicling the band’s 2012 farewell Sheffield show, and a “family album” of Sheffield regulars: the Common People. Habicht gets these vox populists to wax fondly about what the town means to them, and how Pulp has woven itself into the very fabric of the town’s lasting culture. “Cocker’s knack for keeping it real, for drawing from regular experience and feeding back into it, is the film’s effortlessly realised QED. If you ever had your head invaded for days on end by Pulp’s ‘Common People’, prepare to have it reoccupied, this time with a portrait gallery for company. If you haven’t, there could hardly be a more irresistible invitation to join the party.” (New Zealand Int’l Film Festival)
Dir. Florian Habicht, 2014, DCP, 90 min.

Watch the trailer for “Pulp: a Film About Life, Death & Supermarkets”!
YouTube Preview Image

The Babadook (11/26, midnight)

thebabadook_480
11/26 - MIDNITE
$12/free for members

“ ‘Do you want to die?!’ seven-year-old Samuel asks his stressed-out single mother, Amelia. She wonders if his question is a threat or a warning.” — Sundance Film Festival 2014

Is that cute little boy disturbed, or can he perceive realms we can’t see? Will his mother come back from the brink of sanity after a near-fatal crash? And what on earth is a Babadook?! These are but a few of the many questions posed by this critically-acclaimed Sundance 2014 horror brainbomb that unfolds like a twisted insomniacs’ tea party — one with Mommy Dearest, Freddy Krueger and The Omen’s Damian as guests of honor. Boasting impressive arcs and a devastating emotional undercurrent, this Jungian fairy tale inflicts the Bogeyman myth on a widowed single mother Amelia and her cute, yet disturbed six-year-old son Samuel, both led by past trauma to confront the Babadook: a Burton-esque, wolfish entity that infiltrates their dreams and, ultimately, their waking lives. Amelia’s blossoming from meek widow to possessed matriarch is a sight to behold, leaving us with the lingering question: are Amelia and Samuel are just unfortunate victims of demonic possession in contemporary Australian suburbia, or does the Babadook represent the darkness that exists within us all? Expect the answer to arrive in your nightmares, soon.
Dir. Jennifer Kent, 2014, DCP, 94 min.

Watch the trailer for “The Babadook”!
YouTube Preview Image

The Babadook (11/28, 2:30pm)

thebabadook4_480
11/28 - 2:30PM
$12/free for members

“ ‘Do you want to die?!’ seven-year-old Samuel asks his stressed-out single mother, Amelia. She wonders if his question is a threat or a warning.” — Sundance Film Festival 2014

Is that cute little boy disturbed, or can he perceive realms we can’t see? Will his mother come back from the brink of sanity after a near-fatal crash? And what on earth is a Babadook?! These are but a few of the many questions posed by this critically-acclaimed Sundance 2014 horror brainbomb that unfolds like a twisted insomniacs’ tea party — one with Mommy Dearest, Freddy Krueger and The Omen’s Damian as guests of honor. Boasting impressive arcs and a devastating emotional undercurrent, this Jungian fairy tale inflicts the Bogeyman myth on a widowed single mother Amelia and her cute, yet disturbed six-year-old son Samuel, both led by past trauma to confront the Babadook: a Burton-esque, wolfish entity that infiltrates their dreams and, ultimately, their waking lives. Amelia’s blossoming from meek widow to possessed matriarch is a sight to behold, leaving us with the lingering question: are Amelia and Samuel are just unfortunate victims of demonic possession in contemporary Australian suburbia, or does the Babadook represent the darkness that exists within us all? Expect the answer to arrive in your nightmares, soon.
Dir. Jennifer Kent, 2014, DCP, 94 min.

Watch the trailer for “The Babadook”!
YouTube Preview Image

Pulp: a Film About Life, Death & Supermarkets (11/28, 5pm)

pulp_website
11/28 - 5PM
$12/free for members

Pulp, best known stateside for their deliriously infectious anthem “Common People”, are one of the quintessential Britpop bands, so distinctly carrying their Northern UK heritage on their sleeve that to know them is to become an honorary citizen of Sheffield, their hometown. Taking that to heart, co-director Florian Habicht teams up with highly charismatic Pulp frontman Jarvis Cocker to produce both a concert film chronicling the band’s 2012 farewell Sheffield show, and a “family album” of Sheffield regulars: the Common People. Habicht gets these vox populists to wax fondly about what the town means to them, and how Pulp has woven itself into the very fabric of the town’s lasting culture. “Cocker’s knack for keeping it real, for drawing from regular experience and feeding back into it, is the film’s effortlessly realised QED. If you ever had your head invaded for days on end by Pulp’s ‘Common People’, prepare to have it reoccupied, this time with a portrait gallery for company. If you haven’t, there could hardly be a more irresistible invitation to join the party.” (New Zealand Int’l Film Festival)
Dir. Florian Habicht, 2014, DCP, 90 min.

Watch the trailer for “Pulp: a Film About Life, Death & Supermarkets”!
YouTube Preview Image

The Babadook (11/28, 7:30pm)

dropbox3_480
11/28 - 7:30PM
$12/free for members

“ ‘Do you want to die?!’ seven-year-old Samuel asks his stressed-out single mother, Amelia. She wonders if his question is a threat or a warning.” — Sundance Film Festival 2014

Is that cute little boy disturbed, or can he perceive realms we can’t see? Will his mother come back from the brink of sanity after a near-fatal crash? And what on earth is a Babadook?! These are but a few of the many questions posed by this critically-acclaimed Sundance 2014 horror brainbomb that unfolds like a twisted insomniacs’ tea party — one with Mommy Dearest, Freddy Krueger and The Omen’s Damian as guests of honor. Boasting impressive arcs and a devastating emotional undercurrent, this Jungian fairy tale inflicts the Bogeyman myth on a widowed single mother Amelia and her cute, yet disturbed six-year-old son Samuel, both led by past trauma to confront the Babadook: a Burton-esque, wolfish entity that infiltrates their dreams and, ultimately, their waking lives. Amelia’s blossoming from meek widow to possessed matriarch is a sight to behold, leaving us with the lingering question: are Amelia and Samuel are just unfortunate victims of demonic possession in contemporary Australian suburbia, or does the Babadook represent the darkness that exists within us all? Expect the answer to arrive in your nightmares, soon.
Dir. Jennifer Kent, 2014, DCP, 94 min.

Watch the trailer for “The Babadook”!
YouTube Preview Image

Pulp: a Film About Life, Death & Supermarkets (11/28, 10pm)

pulp2_480_309
11/28 - 10PM
$12/free for members

Pulp, best known stateside for their deliriously infectious anthem “Common People”, are one of the quintessential Britpop bands, so distinctly carrying their Northern UK heritage on their sleeve that to know them is to become an honorary citizen of Sheffield, their hometown. Taking that to heart, co-director Florian Habicht teams up with highly charismatic Pulp frontman Jarvis Cocker to produce both a concert film chronicling the band’s 2012 farewell Sheffield show, and a “family album” of Sheffield regulars: the Common People. Habicht gets these vox populists to wax fondly about what the town means to them, and how Pulp has woven itself into the very fabric of the town’s lasting culture. “Cocker’s knack for keeping it real, for drawing from regular experience and feeding back into it, is the film’s effortlessly realised QED. If you ever had your head invaded for days on end by Pulp’s ‘Common People’, prepare to have it reoccupied, this time with a portrait gallery for company. If you haven’t, there could hardly be a more irresistible invitation to join the party.” (New Zealand Int’l Film Festival)
Dir. Florian Habicht, 2014, DCP, 90 min.

Watch the trailer for “Pulp: a Film About Life, Death & Supermarkets”!
YouTube Preview Image

FRIDAY NIGHT FRIGHTS: Shock Waves (brand-new restoration, plus director Q&A!)

shockwaves_480
11/28 - MIDNITE
$12/free for members

Director Ken Wiederhorn joins us for a Q&A via Skype after the film! It’s the underwater Nazi zombie flick that cares: Shock Waves, presented in a brand-new restoration courtesy of the very hard-working folks at Blue Underground. Brooke Adams is the survivor of an ill-fated vacation cruise, during which her ship runs aground on Peter Cushing’s tropical SS hideaway — a Floridian isle on which he breeds zombies from the bodies of his deceased Aryan soldiers. Lurking beneath the water, this self-appointed Death Corps is ready to drag new visitors to a very soggy death! Shock Waves is one of those buried treasures horror fans love to discover and recommend to their friends; the surreal, dreamlike setting plays like a cross between Lucio Fulci’s Zombie and the haunted wastelands of Val Lewton, while the detached, somnambulist performances — coupled with a skin-crawling electronic score — make for a unique and unsettling experience.
Dir. Ken Wiederhorn, 1977, DCP, 90 min.

Watch the trailer for “Shock Waves”!
YouTube Preview Image

Pulp: a Film About Life, Death & Supermarkets (11/29, 2pm)

pulp_480_309
11/29 - 2PM
$12/free for members

Pulp, best known stateside for their deliriously infectious anthem “Common People”, are one of the quintessential Britpop bands, so distinctly carrying their Northern UK heritage on their sleeve that to know them is to become an honorary citizen of Sheffield, their hometown. Taking that to heart, co-director Florian Habicht teams up with highly charismatic Pulp frontman Jarvis Cocker to produce both a concert film chronicling the band’s 2012 farewell Sheffield show, and a “family album” of Sheffield regulars: the Common People. Habicht gets these vox populists to wax fondly about what the town means to them, and how Pulp has woven itself into the very fabric of the town’s lasting culture. “Cocker’s knack for keeping it real, for drawing from regular experience and feeding back into it, is the film’s effortlessly realised QED. If you ever had your head invaded for days on end by Pulp’s ‘Common People’, prepare to have it reoccupied, this time with a portrait gallery for company. If you haven’t, there could hardly be a more irresistible invitation to join the party.” (New Zealand Int’l Film Festival)
Dir. Florian Habicht, 2014, DCP, 90 min.

Watch the trailer for “Pulp: a Film About Life, Death & Supermarkets”!
YouTube Preview Image

The Babadook (11/29, 4:30pm)

babadook_480_309
11/29 - 4:30PM
$12/free for members

“ ‘Do you want to die?!’ seven-year-old Samuel asks his stressed-out single mother, Amelia. She wonders if his question is a threat or a warning.” — Sundance Film Festival 2014

Is that cute little boy disturbed, or can he perceive realms we can’t see? Will his mother come back from the brink of sanity after a near-fatal crash? And what on earth is a Babadook?! These are but a few of the many questions posed by this critically-acclaimed Sundance 2014 horror brainbomb that unfolds like a twisted insomniacs’ tea party — one with Mommy Dearest, Freddy Krueger and The Omen’s Damian as guests of honor. Boasting impressive arcs and a devastating emotional undercurrent, this Jungian fairy tale inflicts the Bogeyman myth on a widowed single mother Amelia and her cute, yet disturbed six-year-old son Samuel, both led by past trauma to confront the Babadook: a Burton-esque, wolfish entity that infiltrates their dreams and, ultimately, their waking lives. Amelia’s blossoming from meek widow to possessed matriarch is a sight to behold, leaving us with the lingering question: are Amelia and Samuel are just unfortunate victims of demonic possession in contemporary Australian suburbia, or does the Babadook represent the darkness that exists within us all? Expect the answer to arrive in your nightmares, soon.
Dir. Jennifer Kent, 2014, DCP, 94 min.

Watch the trailer for “The Babadook”!
YouTube Preview Image

Pulp: a Film About Life, Death & Supermarkets (11/29, 7:00pm)

pulp_480_309
11/29 - 7PM
$12/free for members

Pulp, best known stateside for their deliriously infectious anthem “Common People”, are one of the quintessential Britpop bands, so distinctly carrying their Northern UK heritage on their sleeve that to know them is to become an honorary citizen of Sheffield, their hometown. Taking that to heart, co-director Florian Habicht teams up with highly charismatic Pulp frontman Jarvis Cocker to produce both a concert film chronicling the band’s 2012 farewell Sheffield show, and a “family album” of Sheffield regulars: the Common People. Habicht gets these vox populists to wax fondly about what the town means to them, and how Pulp has woven itself into the very fabric of the town’s lasting culture. “Cocker’s knack for keeping it real, for drawing from regular experience and feeding back into it, is the film’s effortlessly realised QED. If you ever had your head invaded for days on end by Pulp’s ‘Common People’, prepare to have it reoccupied, this time with a portrait gallery for company. If you haven’t, there could hardly be a more irresistible invitation to join the party.” (New Zealand Int’l Film Festival)
Dir. Florian Habicht, 2014, DCP, 90 min.

Watch the trailer for “Pulp: a Film About Life, Death & Supermarkets”!
YouTube Preview Image

The Babadook (11/29, 9:30pm)

thebabadook_480
11/29 - 9:30PM
$12/free for members

“ ‘Do you want to die?!’ seven-year-old Samuel asks his stressed-out single mother, Amelia. She wonders if his question is a threat or a warning.” — Sundance Film Festival 2014

Is that cute little boy disturbed, or can he perceive realms we can’t see? Will his mother come back from the brink of sanity after a near-fatal crash? And what on earth is a Babadook?! These are but a few of the many questions posed by this critically-acclaimed Sundance 2014 horror brainbomb that unfolds like a twisted insomniacs’ tea party — one with Mommy Dearest, Freddy Krueger and The Omen’s Damian as guests of honor. Boasting impressive arcs and a devastating emotional undercurrent, this Jungian fairy tale inflicts the Bogeyman myth on a widowed single mother Amelia and her cute, yet disturbed six-year-old son Samuel, both led by past trauma to confront the Babadook: a Burton-esque, wolfish entity that infiltrates their dreams and, ultimately, their waking lives. Amelia’s blossoming from meek widow to possessed matriarch is a sight to behold, leaving us with the lingering question: are Amelia and Samuel are just unfortunate victims of demonic possession in contemporary Australian suburbia, or does the Babadook represent the darkness that exists within us all? Expect the answer to arrive in your nightmares, soon.
Dir. Jennifer Kent, 2014, DCP, 94 min.

Watch the trailer for “The Babadook”!
YouTube Preview Image

HEAVY MIDNITES: Grindhouse Trailer Apocalypse

trailertrove_website
11/29 - MIDNITE
$10/free for members

When Oscar-winning editor Bob Murawski and his team at Grindhouse Releasing (the fine folks behind big-screen reissues of The Beyond, Cannibal Holocaust, Pieces and more) ask if you want to see a custom-curated, all-35mm collection of the rarest vintage trailers on planet Earth, you say YES. Prepare for a feature-length onslaught of the wildest, weirdest and most action-packed face-rippers to have ever (dis)graced drive-in screens — all culled from GR’s vast archive of golden-age exploitation. Blaxploitation, sexploitation, horror, mondo, martial arts and more mix with mutant subgenres, freakish fiascos and other brain-bludgeoning, eye-blasting two-minute masterpieces not seen since the flea-ridden heydays of 42nd St.

Watch one of Cinefamily’s favorite vintage pre-show bumpers!
YouTube Preview Image

Pulp: a Film About Life, Death & Supermarkets (11/30, 2:30pm)

pulp2_480_309
11/30 - 2:30PM
$12/free for members

Pulp, best known stateside for their deliriously infectious anthem “Common People”, are one of the quintessential Britpop bands, so distinctly carrying their Northern UK heritage on their sleeve that to know them is to become an honorary citizen of Sheffield, their hometown. Taking that to heart, co-director Florian Habicht teams up with highly charismatic Pulp frontman Jarvis Cocker to produce both a concert film chronicling the band’s 2012 farewell Sheffield show, and a “family album” of Sheffield regulars: the Common People. Habicht gets these vox populists to wax fondly about what the town means to them, and how Pulp has woven itself into the very fabric of the town’s lasting culture. “Cocker’s knack for keeping it real, for drawing from regular experience and feeding back into it, is the film’s effortlessly realised QED. If you ever had your head invaded for days on end by Pulp’s ‘Common People’, prepare to have it reoccupied, this time with a portrait gallery for company. If you haven’t, there could hardly be a more irresistible invitation to join the party.” (New Zealand Int’l Film Festival)
Dir. Florian Habicht, 2014, DCP, 90 min.

Watch the trailer for “Pulp: a Film About Life, Death & Supermarkets”!
YouTube Preview Image

The Babadook (11/30, 5pm)

dropbox3_480
11/30 - 5PM
$12/free for members

“ ‘Do you want to die?!’ seven-year-old Samuel asks his stressed-out single mother, Amelia. She wonders if his question is a threat or a warning.” — Sundance Film Festival 2014

Is that cute little boy disturbed, or can he perceive realms we can’t see? Will his mother come back from the brink of sanity after a near-fatal crash? And what on earth is a Babadook?! These are but a few of the many questions posed by this critically-acclaimed Sundance 2014 horror brainbomb that unfolds like a twisted insomniacs’ tea party — one with Mommy Dearest, Freddy Krueger and The Omen’s Damian as guests of honor. Boasting impressive arcs and a devastating emotional undercurrent, this Jungian fairy tale inflicts the Bogeyman myth on a widowed single mother Amelia and her cute, yet disturbed six-year-old son Samuel, both led by past trauma to confront the Babadook: a Burton-esque, wolfish entity that infiltrates their dreams and, ultimately, their waking lives. Amelia’s blossoming from meek widow to possessed matriarch is a sight to behold, leaving us with the lingering question: are Amelia and Samuel are just unfortunate victims of demonic possession in contemporary Australian suburbia, or does the Babadook represent the darkness that exists within us all? Expect the answer to arrive in your nightmares, soon.
Dir. Jennifer Kent, 2014, DCP, 94 min.

Watch the trailer for “The Babadook”!
YouTube Preview Image

Pulp: a Film About Life, Death & Supermarkets (11/30, 7:30pm)

pulp3_480_309
11/30 - 7:30PM
$12/free for members

Pulp, best known stateside for their deliriously infectious anthem “Common People”, are one of the quintessential Britpop bands, so distinctly carrying their Northern UK heritage on their sleeve that to know them is to become an honorary citizen of Sheffield, their hometown. Taking that to heart, co-director Florian Habicht teams up with highly charismatic Pulp frontman Jarvis Cocker to produce both a concert film chronicling the band’s 2012 farewell Sheffield show, and a “family album” of Sheffield regulars: the Common People. Habicht gets these vox populists to wax fondly about what the town means to them, and how Pulp has woven itself into the very fabric of the town’s lasting culture. “Cocker’s knack for keeping it real, for drawing from regular experience and feeding back into it, is the film’s effortlessly realised QED. If you ever had your head invaded for days on end by Pulp’s ‘Common People’, prepare to have it reoccupied, this time with a portrait gallery for company. If you haven’t, there could hardly be a more irresistible invitation to join the party.” (New Zealand Int’l Film Festival)
Dir. Florian Habicht, 2014, DCP, 90 min.

Watch the trailer for “Pulp: a Film About Life, Death & Supermarkets”!
YouTube Preview Image

The Babadook (11/30, 10pm)

babadook_480_309
11/30 - 10PM
$12/free for members

“ ‘Do you want to die?!’ seven-year-old Samuel asks his stressed-out single mother, Amelia. She wonders if his question is a threat or a warning.” — Sundance Film Festival 2014

Is that cute little boy disturbed, or can he perceive realms we can’t see? Will his mother come back from the brink of sanity after a near-fatal crash? And what on earth is a Babadook?! These are but a few of the many questions posed by this critically-acclaimed Sundance 2014 horror brainbomb that unfolds like a twisted insomniacs’ tea party — one with Mommy Dearest, Freddy Krueger and The Omen’s Damian as guests of honor. Boasting impressive arcs and a devastating emotional undercurrent, this Jungian fairy tale inflicts the Bogeyman myth on a widowed single mother Amelia and her cute, yet disturbed six-year-old son Samuel, both led by past trauma to confront the Babadook: a Burton-esque, wolfish entity that infiltrates their dreams and, ultimately, their waking lives. Amelia’s blossoming from meek widow to possessed matriarch is a sight to behold, leaving us with the lingering question: are Amelia and Samuel are just unfortunate victims of demonic possession in contemporary Australian suburbia, or does the Babadook represent the darkness that exists within us all? Expect the answer to arrive in your nightmares, soon.
Dir. Jennifer Kent, 2014, DCP, 94 min.

Watch the trailer for “The Babadook”!
YouTube Preview Image

Pulp: a Film About Life, Death & Supermarkets (12/1)

pulp2_480_309
12/1 - 7:30PM
$12/free for members

Pulp, best known stateside for their deliriously infectious anthem “Common People”, are one of the quintessential Britpop bands, so distinctly carrying their Northern UK heritage on their sleeve that to know them is to become an honorary citizen of Sheffield, their hometown. Taking that to heart, co-director Florian Habicht teams up with highly charismatic Pulp frontman Jarvis Cocker to produce both a concert film chronicling the band’s 2012 farewell Sheffield show, and a “family album” of Sheffield regulars: the Common People. Habicht gets these vox populists to wax fondly about what the town means to them, and how Pulp has woven itself into the very fabric of the town’s lasting culture. “Cocker’s knack for keeping it real, for drawing from regular experience and feeding back into it, is the film’s effortlessly realised QED. If you ever had your head invaded for days on end by Pulp’s ‘Common People’, prepare to have it reoccupied, this time with a portrait gallery for company. If you haven’t, there could hardly be a more irresistible invitation to join the party.” (New Zealand Int’l Film Festival)
Dir. Florian Habicht, 2014, DCP, 90 min.

Watch the trailer for “Pulp: a Film About Life, Death & Supermarkets”!
YouTube Preview Image

The Babadook (12/1)

dropbox3_480
12/1 - 10PM
$12/free for members

“ ‘Do you want to die?!’ seven-year-old Samuel asks his stressed-out single mother, Amelia. She wonders if his question is a threat or a warning.” — Sundance Film Festival 2014

Is that cute little boy disturbed, or can he perceive realms we can’t see? Will his mother come back from the brink of sanity after a near-fatal crash? And what on earth is a Babadook?! These are but a few of the many questions posed by this critically-acclaimed Sundance 2014 horror brainbomb that unfolds like a twisted insomniacs’ tea party — one with Mommy Dearest, Freddy Krueger and The Omen’s Damian as guests of honor. Boasting impressive arcs and a devastating emotional undercurrent, this Jungian fairy tale inflicts the Bogeyman myth on a widowed single mother Amelia and her cute, yet disturbed six-year-old son Samuel, both led by past trauma to confront the Babadook: a Burton-esque, wolfish entity that infiltrates their dreams and, ultimately, their waking lives. Amelia’s blossoming from meek widow to possessed matriarch is a sight to behold, leaving us with the lingering question: are Amelia and Samuel are just unfortunate victims of demonic possession in contemporary Australian suburbia, or does the Babadook represent the darkness that exists within us all? Expect the answer to arrive in your nightmares, soon.
Dir. Jennifer Kent, 2014, DCP, 94 min.

Watch the trailer for “The Babadook”!
YouTube Preview Image

The Babadook (12/2)

thebabadook_480
12/2 - 7:30PM
$12/free for members

“ ‘Do you want to die?!’ seven-year-old Samuel asks his stressed-out single mother, Amelia. She wonders if his question is a threat or a warning.” — Sundance Film Festival 2014

Is that cute little boy disturbed, or can he perceive realms we can’t see? Will his mother come back from the brink of sanity after a near-fatal crash? And what on earth is a Babadook?! These are but a few of the many questions posed by this critically-acclaimed Sundance 2014 horror brainbomb that unfolds like a twisted insomniacs’ tea party — one with Mommy Dearest, Freddy Krueger and The Omen’s Damian as guests of honor. Boasting impressive arcs and a devastating emotional undercurrent, this Jungian fairy tale inflicts the Bogeyman myth on a widowed single mother Amelia and her cute, yet disturbed six-year-old son Samuel, both led by past trauma to confront the Babadook: a Burton-esque, wolfish entity that infiltrates their dreams and, ultimately, their waking lives. Amelia’s blossoming from meek widow to possessed matriarch is a sight to behold, leaving us with the lingering question: are Amelia and Samuel are just unfortunate victims of demonic possession in contemporary Australian suburbia, or does the Babadook represent the darkness that exists within us all? Expect the answer to arrive in your nightmares, soon.
Dir. Jennifer Kent, 2014, DCP, 94 min.

Watch the trailer for “The Babadook”!
YouTube Preview Image

Pulp: a Film About Life, Death & Supermarkets (12/2)

pulp_480_309
12/2 - 10PM
$12/free for members

Pulp, best known stateside for their deliriously infectious anthem “Common People”, are one of the quintessential Britpop bands, so distinctly carrying their Northern UK heritage on their sleeve that to know them is to become an honorary citizen of Sheffield, their hometown. Taking that to heart, co-director Florian Habicht teams up with highly charismatic Pulp frontman Jarvis Cocker to produce both a concert film chronicling the band’s 2012 farewell Sheffield show, and a “family album” of Sheffield regulars: the Common People. Habicht gets these vox populists to wax fondly about what the town means to them, and how Pulp has woven itself into the very fabric of the town’s lasting culture. “Cocker’s knack for keeping it real, for drawing from regular experience and feeding back into it, is the film’s effortlessly realised QED. If you ever had your head invaded for days on end by Pulp’s ‘Common People’, prepare to have it reoccupied, this time with a portrait gallery for company. If you haven’t, there could hardly be a more irresistible invitation to join the party.” (New Zealand Int’l Film Festival)
Dir. Florian Habicht, 2014, DCP, 90 min.

Watch the trailer for “Pulp: a Film About Life, Death & Supermarkets”!
YouTube Preview Image

FYF PRESENTS: Angel Olsen (solo) + Varda's "Cleo From 5 To 7"

angelolsen_website
12/3 - 8PM
all tix $25

Cleo From 5 To 7 – 8:00pm
Dir. Agnes Varda, 1962, DCP, 90 min.

Angel Olsen (solo) – approx. 10:00pm

Watch the trailer for “Cleo From 5 To 7″!
YouTube Preview Image

TRUTH & SOUL, INC: DAY ONE - An Evening With Robert Downey, Sr. (hosted by Robert Downey, Jr., feat. "Chafed Elbows" & "Two Tons of Turquoise To Taos Tonight")

downey_chafedelbows_website
12/5 - 8PM

Join us for an intimate, career-spanning conversation between father and son, touring the early life and work of Robert Downey, Sr. The evening features never-before-seen rare clips, ephemera and other surprises, along with screenings of some of Downey’s best work. The night includes a beautiful 35mm restoration by Anthology Film Archives of his breakthrough underground hit Chafed Elbows, and a rare screening of Two Tons of Turquoise to Taos Tonight, Robert Downey, Jr.’s personal favorite of his father’s work.

Chafed Elbows Dir. Robert Downey, Sr., 1966, 35mm, 63 min. (print courtesy of Anthology Film Archives with the support of The Film Foundation)
Two Tons of Turquoise To Taos Tonight Dir. Robert Downey, Sr., 1975, digital presentation, 56 min.

TRUTH & SOUL, INC.: DAY TWO - Downey and the Midnight Movie (hosted by P.T. Anderson, feat. "Greaser's Palace" & "Pound")

downey_greaserspalace_website
12/6 - 7PM

For lovers of all things Downey, this is the night of deep cuts. Not only have the Friends Of Cinefamily struck a brand-new 35mm print of Downey’s “acid western” Greaser’s Palace — a classic of the ‘70s midnight movie circuit (named by the Coen Brothers as one of their favorite films of all-time) that’s been out of theatrical circulation for decades. Following is a celebration of the music Robert Downey made with Charlie Cuva and Jack Nitzsche, a reunion of his cast-‘n-crew extended family”, and a rare screening of his never-on-DVD (heck, never-even-on-VHS) Pound.

Greaser’s Palace Dir. Robert Downey, Sr., 1972, 35mm, 91 min.
Pound Dir. Robert Downey, Sr., 1970, digital presentation, 92 min.

OFFSITE @ ACE HOTEL / TRUTH & SOUL, INC: DAY THREE - Downey, Clown Prince of the Underground (hosted by Louis CK, feat. "Putney Swope")

downey_putneyswope_website
12/7 - 2PM

LOCATION: The Ace Hotel, 929 S. Broadway, 90015. This event does not take place at the Silent Movie Theater location.

The Coen Brothers, Chris Rock, Dave Chapelle and Paul Thomas Anderson are all known to be big fans — Jane Fonda declared it a masterpiece on “The Tonight Show” in 1969 — De La Soul sampled it, the Beastie Boys rapped about it and Louis CK cites it as “the first film that inspired me as a filmmaker.” For the Sunday afternoon event, we share with you the film that made Robert Downey, Sr. famous. It’s his funniest and most irreverent work, and his crossover hit: Putney Swope. See this legendary cult comedy classic with a huge appreciative audience at the Ace Hotel’s gorgeous United Artists movie palace.
Putney Swope Dir. Robert Downey, Sr., 1969, digital presentation, 84 min.

NOTE: there are two different ticket pricing tiers for this event. The ticketing link attached to the “Buy Tickets” icon is for the Premium Seating tier.

BUY TICKETS (Premium Seating)
BUY TICKETS (General Admission)

TRUTH & SOUL, INC.: DAY FOUR: Show & Tell w/ Robert Downey, Sr. (feat. "No More Excuses" & "Rittenhouse Square")

downey_nomoreexcuses_website
12/8 - 7:30PM

NOTE: Admission to this show will be Members-Only. Stay tuned for ticketing info.

For the final night of our retrospective, it’s a special evening just for our Cinefamily members: an evening of conversation and rarities, odds ‘n ends, and bits ‘n pieces with Robert Downey, Sr. Not only will he present rarely-screened works like Rittenhouse Square (his 2005 impressionistic, music-filled documentary about a small Philadelphia park) and an Anthology Film Archives restoration of 1968’s No More Excuses (a compilation of Downey’s earliest shorts and assorted improprieties), but also various films he loves, and films he’s been working on — and maybe even a few surprises.

No More Excuses Dir. Robert Downey, Sr., 1968, 35mm, 62 min. (Print courtesy of Anthology Film Archives with support from The Film Foundation)
Rittenhouse Square Dir. Robert Downey, Sr., 2005, digital presentation, 92 min.

FRIDAY NIGHT FRIGHTS: Late Phases

latephases_480
12/12 - MIDNITE
$12/free for members

Is there a popular monster archetype as under-served than the werewolf? Unless you lived through 1981 for both An American Werewolf in in London and The Howling, quality lycanthrope films have been few and far between. Joining the ranks of plucky independents looking to save the subgenre like Dog Soldiers and Ginger Snaps, Late Phases marks the English-language debut of up-and-coming director Adrián García Bogliano (Penumbra, Here Comes the Devil). Actor/writer Nick Damici (Stake Land, We Are What We Are) stars as a blind Vietnam vet placed into a retirement community by his son (Ethan Embry.) When one of his neighbors is killed by a wild animal, the vet suspects something far more sinister lurking about than just his fellow retirees. The film also boasts a strong, varied cast of Tom Noonan, The Last Starfighter‘s Lance Guest, Gilligan’s Island‘s Tina Louise — and best of all, you won’t find any Twilight-style, four-legged “were”wolves here, for these critters are the full-on bipedal variety. Come get your howl on!
Dir. Adrián García Bogliano, 2014, DCP, 95 min.

Watch the trailer for “Late Phases”!
YouTube Preview Image

THE SILENT TREATMENT: Greta Garbo in "Flesh and the Devil"

Flesh and the Devil (1926)
12/13 - 2PM
$12/free for members

“Garbo’s acting, across near a century of time, can still put a tingle in your gut. Garbo makes you suspend disbelief.” — Chris Edwards, Silent Volume

Ahhhh, that kiss! That legendary first kiss between Greta Garbo and John Gilbert, the one that’s reverberated across the decades as a landmark in cinematic sensuality, is contained within the smoldering Flesh and the Devil. The film marked the first time of many that these lovebirds (both onscreen and off) would star together — and the result was important enough that, in 2006, the Library of Congress placed Flesh and the Devil in the National Film Registry. This afternoon’s picture, helmed by frequent Garbo director Clarence Brown (Anna Christie, A Woman of Affairs), finds the Swedish Sphinx caught between the affections of two childhood friends (Gilbert, and Lars Hanson.) Romantic fireworks galore, and a major turning point in the careers of almost every major player involved.
Dir. Clarence Brown, 1926, 35mm, 113 min.

Watch a romantic excerpt from “Flesh and the Devil”!
YouTube Preview Image

Chafed Elbows + No More Excuses

chafedelbows_480
12/13 - 5:30PM
$12/free for members

Description coming soon…
Chafed Elbows Dir. Robert Downey Sr., 1966, 35mm, 63 min.
No More Excuses Dir. Robert Downey Sr., 1968, 35mm, 62 min.

Watch an excerpt from “Chafed Elbows”!
YouTube Preview Image

The First Annual Los Angeles Feline Film + Video Festival For Humans

felinefilmfest_480
12/13 - 9PM
$12/free for members

Description coming soon…

Watch the trailer for “The First Annual Los Angeles Feline Film + Video Festival For Humans”!

HEAVY MIDNITES: Honey, I Shrunk the Kids (25th Anniversary!)

honeyishrunkthekids_480
12/13 - MIDNITE
$12/free for members

We’re breaking out the big fun for an oversized adventure so entertaining it spawned multiple sequels, an amusement park attraction and countless childhood escapades. It’s wild, it’s wacky and it’s packed with personality as Rick Moranis invents a shrink ray that puts his family, the neighbors and the very foundation of science in pint-sized peril. Now the ¼-inch kids must make their way through a backyard jungle, facing hurricane sprinklers, dive-bombing bees, a runaway lawnmower and enough Disney-fied danger to thrill tots, teens and adults alike — and that’s all before we even get to the larger-than-life Cheerios! Honey, I Shrunk The Kids is family-friendly box-office magic full of truly spectacular visuals, hilarious comedy and non-stop action directed by Oscar-winning SFX master Joe Johnston (Raiders of the Lost Ark, The Empire Strikes Back) from a story by Cinefamily friends (and Re-Animator creators) Stuart Gordon & Brian Yuzna. Top it with a classic James Horner score, and you have a perfect movie-night-out for the kid in all of us.
Dir. Joe Johnston, 1989, 35mm, 93 min.

Watch the trailer for “Honey, I Shrunk the Kids”!
YouTube Preview Image

Pound

pound_480
12/14 - 9PM
$12/free for members

Description coming soon…
Dir. Robert Downey Sr., 1970, DigiBeta, 92 min.

Watch an excerpt from “Pound”!
YouTube Preview Image

Putney Swope (12/15, 7:30pm)

putney_480
12/15 - 7:30PM
$12/free for members

Description coming soon…
Dir. Robert Downey Sr., 1969, 85 min.

Watch the trailer for “Putney Swope”!
YouTube Preview Image

Putney Swope (12/15, 9:45pm)

putney2_480
12/15 - 9:45PM
$12/free for members

Description coming soon…
Dir. Robert Downey Sr., 1969, 85 min.

Watch the trailer for “Putney Swope”!
YouTube Preview Image

MEMBERS-ONLY: Sticks and Bones

downey_480
12/16 - 7:30PM
Free for members +1

Description coming soon…
Dir. Robert Downey Sr., 1973, analog presentation, 105 min.

Putney Swope (12/16)

putney3_480
12/16 - 10:10PM
$12/free for members

Description coming soon…
Dir. Robert Downey Sr., 1969, 85 min.

Watch the trailer for “Putney Swope”!
YouTube Preview Image

ANIMATION BREAKDOWN: Women In CGI

abd_womenincgi_website
12/17 - 10PM
$12/free for members

A celebration of female pioneers in the world of computer animation! Join us for a mindbending, retrospective look at these important contributions, highlighted by a rare presentation of early works by Lillian Schwartz. Hang out after the screenings for a selection of interactive works by L.A.-based female developers.

Full description coming soon…

Watch an excerpt from the Lillian Schwartz documentary “The Artist and the Computer”!
YouTube Preview Image

Why Don't You Play In Hell? (12/18)

WDYPiH_480
12/18 - 7:30PM
$12/free for members

“Mankind’s greatest achievement.” — David Erhlich, Film.com

The once-in-a-generation filmmaker behind Love Exposure, Cold Fish and Guilty of Romance is back with yet another endlessly irreverent, wild and hilariously visceral big-screen thrill that’s almost too much for words. Even in a cinematic landscape where every second or third Japanese film is totally crazy-pants, Sion Sono’s body of work is unparalleled in its ability to seamlessly blend a melee of outré ideas with such a solidly humanist core. His latest to hit Stateside, Why Don’t You Play In Hell? is a love letter to the yakuza movies of yore, to the local Cinefamily-esque “film clubs” of his youth and to 35mm film itself. There’s a war going on, but that won’t stop the inexperienced, wannabe crew The Fuck Bombers from making the ultimate action epic of their dreams. Their wish comes true in the form of a yakuza boss who, on the eve of his revenge against a deadly rival, bankrolls the Bombers’ masterpiece: a real, live blood-soaked gangster battle to the death — captured on 35mm! Infused with his trademark excess and outrageousness, this is Sion Sono with his talent and unique vision totally unleashed.
Dir. Sion Sono, 2013, DCP, 130 min.

To watch the trailer for “Why Don’t You Play In Hell?”, visit the top of this series page!

Why Don't You Play In Hell? (12/19)

WDYPiH2_480
12/19 - 7:30PM
$12/free for members

“Mankind’s greatest achievement.” — David Erhlich, Film.com

The once-in-a-generation filmmaker behind Love Exposure, Cold Fish and Guilty of Romance is back with yet another endlessly irreverent, wild and hilariously visceral big-screen thrill that’s almost too much for words. Even in a cinematic landscape where every second or third Japanese film is totally crazy-pants, Sion Sono’s body of work is unparalleled in its ability to seamlessly blend a melee of outré ideas with such a solidly humanist core. His latest to hit Stateside, Why Don’t You Play In Hell? is a love letter to the yakuza movies of yore, to the local Cinefamily-esque “film clubs” of his youth and to 35mm film itself. There’s a war going on, but that won’t stop the inexperienced, wannabe crew The Fuck Bombers from making the ultimate action epic of their dreams. Their wish comes true in the form of a yakuza boss who, on the eve of his revenge against a deadly rival, bankrolls the Bombers’ masterpiece: a real, live blood-soaked gangster battle to the death — captured on 35mm! Infused with his trademark excess and outrageousness, this is Sion Sono with his talent and unique vision totally unleashed.
Dir. Sion Sono, 2013, DCP, 130 min.

To watch the trailer for “Why Don’t You Play In Hell?”, visit the top of this series page!

Putney Swope (12/19)

putney_480
12/19 - 10:30PM
$12/free for members

Description coming soon…
Dir. Robert Downey Sr., 1969, 85 min.

Watch the trailer for “Putney Swope”!
YouTube Preview Image

Putney Swope (12/20, 4:45pm)

putney2_480
12/20 - 4:45PM
$12/free for members

Description coming soon…
Dir. Robert Downey Sr., 1969, 85 min.

Watch the trailer for “Putney Swope”!
YouTube Preview Image

Why Don't You Play In Hell? (12/20)

WDYPiH3_480
12/20 - 7:30PM
$12/free for members

“Mankind’s greatest achievement.” — David Erhlich, Film.com

The once-in-a-generation filmmaker behind Love Exposure, Cold Fish and Guilty of Romance is back with yet another endlessly irreverent, wild and hilariously visceral big-screen thrill that’s almost too much for words. Even in a cinematic landscape where every second or third Japanese film is totally crazy-pants, Sion Sono’s body of work is unparalleled in its ability to seamlessly blend a melee of outré ideas with such a solidly humanist core. His latest to hit Stateside, Why Don’t You Play In Hell? is a love letter to the yakuza movies of yore, to the local Cinefamily-esque “film clubs” of his youth and to 35mm film itself. There’s a war going on, but that won’t stop the inexperienced, wannabe crew The Fuck Bombers from making the ultimate action epic of their dreams. Their wish comes true in the form of a yakuza boss who, on the eve of his revenge against a deadly rival, bankrolls the Bombers’ masterpiece: a real, live blood-soaked gangster battle to the death — captured on 35mm! Infused with his trademark excess and outrageousness, this is Sion Sono with his talent and unique vision totally unleashed.
Dir. Sion Sono, 2013, DCP, 130 min.

To watch the trailer for “Why Don’t You Play In Hell?”, visit the top of this series page!

Putney Swope (12/20, 10pm)

putney3_480
12/20 - 10PM
$12/free for members

Description coming soon…
Dir. Robert Downey Sr., 1969, 85 min.

Watch the trailer for “Putney Swope”!
YouTube Preview Image

Putney Swope (12/21)

putney4_480
12/21 - 5PM
$12/free for members

Description coming soon…
Dir. Robert Downey Sr., 1969, 85 min.

Watch the trailer for “Putney Swope”!
YouTube Preview Image

Why Don't You Play In Hell? (12/21)

WDYPiH4_480
12/21 - 7:30PM
$12/free for members

“Mankind’s greatest achievement.” — David Erhlich, Film.com

The once-in-a-generation filmmaker behind Love Exposure, Cold Fish and Guilty of Romance is back with yet another endlessly irreverent, wild and hilariously visceral big-screen thrill that’s almost too much for words. Even in a cinematic landscape where every second or third Japanese film is totally crazy-pants, Sion Sono’s body of work is unparalleled in its ability to seamlessly blend a melee of outré ideas with such a solidly humanist core. His latest to hit Stateside, Why Don’t You Play In Hell? is a love letter to the yakuza movies of yore, to the local Cinefamily-esque “film clubs” of his youth and to 35mm film itself. There’s a war going on, but that won’t stop the inexperienced, wannabe crew The Fuck Bombers from making the ultimate action epic of their dreams. Their wish comes true in the form of a yakuza boss who, on the eve of his revenge against a deadly rival, bankrolls the Bombers’ masterpiece: a real, live blood-soaked gangster battle to the death — captured on 35mm! Infused with his trademark excess and outrageousness, this is Sion Sono with his talent and unique vision totally unleashed.
Dir. Sion Sono, 2013, DCP, 130 min.

To watch the trailer for “Why Don’t You Play In Hell?”, visit the top of this series page!

DOUG BENSON MOVIE INTERRUPTION: The Long Kiss Goodnight

dougbenson_longkiss_website
12/22 - 7:30PM
$14/free for members

The next installment of Doug Benson’s Movie Interruption, where Doug and his friends (who, in the past, have included everyone from Paul F. Tompkins to Sarah Silverman and Zach Galifianakis) chill on the front row couches, mics in hand, and say whatever hilarious thing pops into their heads while a movie of their choosing unfolds on the screen.
Dir. Renny Harlin, 1996, 35mm, 121 min.

Watch the trailer for “The Long Kiss Goodnight”!
YouTube Preview Image

Why Don't You Play In Hell? (12/22)

WDYPiH_480
12/22 - 10:30PM
$12/free for members

“Mankind’s greatest achievement.” — David Erhlich, Film.com

The once-in-a-generation filmmaker behind Love Exposure, Cold Fish and Guilty of Romance is back with yet another endlessly irreverent, wild and hilariously visceral big-screen thrill that’s almost too much for words. Even in a cinematic landscape where every second or third Japanese film is totally crazy-pants, Sion Sono’s body of work is unparalleled in its ability to seamlessly blend a melee of outré ideas with such a solidly humanist core. His latest to hit Stateside, Why Don’t You Play In Hell? is a love letter to the yakuza movies of yore, to the local Cinefamily-esque “film clubs” of his youth and to 35mm film itself. There’s a war going on, but that won’t stop the inexperienced, wannabe crew The Fuck Bombers from making the ultimate action epic of their dreams. Their wish comes true in the form of a yakuza boss who, on the eve of his revenge against a deadly rival, bankrolls the Bombers’ masterpiece: a real, live blood-soaked gangster battle to the death — captured on 35mm! Infused with his trademark excess and outrageousness, this is Sion Sono with his talent and unique vision totally unleashed.
Dir. Sion Sono, 2013, DCP, 130 min.

To watch the trailer for “Why Don’t You Play In Hell?”, visit the top of this series page!

It's A Wonderful Life (12/23)

wonderfullife600_1
12/23 - 7:30PM
$12/free for members

“It’s a great — really great — film, so densely well made that to watch any three minutes is to realize how paltry the vast majority of movies are by comparison.” — Richard T. Jameson

“The epiphany of movie sentiment and a transcendent experience.” — Dave Kehr

It’s a Wonderful Life has earned its legion of followers because it effectively touches upon one basic truth of life that we all would like to believe — that each of us, no matter how apparently insignificant, has the power to make a difference.” — Reelviews

If you’ve only seen it in scratchy, fuzzy UHF television presentations — if you watch it once a year, every year — if you’ve never seen it before — or if you fall somewhere in-between — then you owe it to yourself, your kids, your parents, your grandkids, your grandparents, the cousins, and any other living human combination to see Frank Capra’s immortal classic on the big screen. Jimmy Stewart was born to play the role of George Bailey, the Everyman whose unflappable spirit (even in the face of the deepest despair) has been of quintessential importance to American popular culture for the last several decades. Having lost not one iota of its emotional power, It’s A Wonderful Life is an unmistakable treasure, and might just be the true meaning of Christmas.
Dir. Frank Capra, 1946, 35mm, 130 min.

Watch Cinefamily’s original trailer for “It’s A Wonderful Life”!

Why Don't You Play In Hell? (12/23)

WDYPiH2_480
12/23 - 10:30PM
$12/free for members

“Mankind’s greatest achievement.” — David Erhlich, Film.com

The once-in-a-generation filmmaker behind Love Exposure, Cold Fish and Guilty of Romance is back with yet another endlessly irreverent, wild and hilariously visceral big-screen thrill that’s almost too much for words. Even in a cinematic landscape where every second or third Japanese film is totally crazy-pants, Sion Sono’s body of work is unparalleled in its ability to seamlessly blend a melee of outré ideas with such a solidly humanist core. His latest to hit Stateside, Why Don’t You Play In Hell? is a love letter to the yakuza movies of yore, to the local Cinefamily-esque “film clubs” of his youth and to 35mm film itself. There’s a war going on, but that won’t stop the inexperienced, wannabe crew The Fuck Bombers from making the ultimate action epic of their dreams. Their wish comes true in the form of a yakuza boss who, on the eve of his revenge against a deadly rival, bankrolls the Bombers’ masterpiece: a real, live blood-soaked gangster battle to the death — captured on 35mm! Infused with his trademark excess and outrageousness, this is Sion Sono with his talent and unique vision totally unleashed.
Dir. Sion Sono, 2013, DCP, 130 min.

To watch the trailer for “Why Don’t You Play In Hell?”, visit the top of this series page!

It's A Wonderful Life (12/24, 4pm)

wonderfullife600_2
12/24 - 4PM
$12/free for members

“It’s a great — really great — film, so densely well made that to watch any three minutes is to realize how paltry the vast majority of movies are by comparison.” — Richard T. Jameson

“The epiphany of movie sentiment and a transcendent experience.” — Dave Kehr

It’s a Wonderful Life has earned its legion of followers because it effectively touches upon one basic truth of life that we all would like to believe — that each of us, no matter how apparently insignificant, has the power to make a difference.” — Reelviews

If you’ve only seen it in scratchy, fuzzy UHF television presentations — if you watch it once a year, every year — if you’ve never seen it before — or if you fall somewhere in-between — then you owe it to yourself, your kids, your parents, your grandkids, your grandparents, the cousins, and any other living human combination to see Frank Capra’s immortal classic on the big screen. Jimmy Stewart was born to play the role of George Bailey, the Everyman whose unflappable spirit (even in the face of the deepest despair) has been of quintessential importance to American popular culture for the last several decades. Having lost not one iota of its emotional power, It’s A Wonderful Life is an unmistakable treasure, and might just be the true meaning of Christmas.
Dir. Frank Capra, 1946, 35mm, 130 min.

Watch Cinefamily’s original trailer for “It’s A Wonderful Life”!

It's A Wonderful Life (12/24, 7pm)

wonderfullife600_3
12/24 - 7PM
$12/free for members

“It’s a great — really great — film, so densely well made that to watch any three minutes is to realize how paltry the vast majority of movies are by comparison.” — Richard T. Jameson

“The epiphany of movie sentiment and a transcendent experience.” — Dave Kehr

It’s a Wonderful Life has earned its legion of followers because it effectively touches upon one basic truth of life that we all would like to believe — that each of us, no matter how apparently insignificant, has the power to make a difference.” — Reelviews

If you’ve only seen it in scratchy, fuzzy UHF television presentations — if you watch it once a year, every year — if you’ve never seen it before — or if you fall somewhere in-between — then you owe it to yourself, your kids, your parents, your grandkids, your grandparents, the cousins, and any other living human combination to see Frank Capra’s immortal classic on the big screen. Jimmy Stewart was born to play the role of George Bailey, the Everyman whose unflappable spirit (even in the face of the deepest despair) has been of quintessential importance to American popular culture for the last several decades. Having lost not one iota of its emotional power, It’s A Wonderful Life is an unmistakable treasure, and might just be the true meaning of Christmas.
Dir. Frank Capra, 1946, 35mm, 130 min.

Watch Cinefamily’s original trailer for “It’s A Wonderful Life”!

It's A Wonderful Life (12/24, 9:50pm)

wonderfullife600_4
12/24 - 9:50PM
$12/free for members

“It’s a great — really great — film, so densely well made that to watch any three minutes is to realize how paltry the vast majority of movies are by comparison.” — Richard T. Jameson

“The epiphany of movie sentiment and a transcendent experience.” — Dave Kehr

It’s a Wonderful Life has earned its legion of followers because it effectively touches upon one basic truth of life that we all would like to believe — that each of us, no matter how apparently insignificant, has the power to make a difference.” — Reelviews

If you’ve only seen it in scratchy, fuzzy UHF television presentations — if you watch it once a year, every year — if you’ve never seen it before — or if you fall somewhere in-between — then you owe it to yourself, your kids, your parents, your grandkids, your grandparents, the cousins, and any other living human combination to see Frank Capra’s immortal classic on the big screen. Jimmy Stewart was born to play the role of George Bailey, the Everyman whose unflappable spirit (even in the face of the deepest despair) has been of quintessential importance to American popular culture for the last several decades. Having lost not one iota of its emotional power, It’s A Wonderful Life is an unmistakable treasure, and might just be the true meaning of Christmas.
Dir. Frank Capra, 1946, 35mm, 130 min.

Watch Cinefamily’s original trailer for “It’s A Wonderful Life”!

It's A Wonderful Life (12/25, 6pm)

wonderfullife600_5
12/25 - 6PM
$12/free for members

“It’s a great — really great — film, so densely well made that to watch any three minutes is to realize how paltry the vast majority of movies are by comparison.” — Richard T. Jameson

“The epiphany of movie sentiment and a transcendent experience.” — Dave Kehr

It’s a Wonderful Life has earned its legion of followers because it effectively touches upon one basic truth of life that we all would like to believe — that each of us, no matter how apparently insignificant, has the power to make a difference.” — Reelviews

If you’ve only seen it in scratchy, fuzzy UHF television presentations — if you watch it once a year, every year — if you’ve never seen it before — or if you fall somewhere in-between — then you owe it to yourself, your kids, your parents, your grandkids, your grandparents, the cousins, and any other living human combination to see Frank Capra’s immortal classic on the big screen. Jimmy Stewart was born to play the role of George Bailey, the Everyman whose unflappable spirit (even in the face of the deepest despair) has been of quintessential importance to American popular culture for the last several decades. Having lost not one iota of its emotional power, It’s A Wonderful Life is an unmistakable treasure, and might just be the true meaning of Christmas.
Dir. Frank Capra, 1946, 35mm, 130 min.

Watch Cinefamily’s original trailer for “It’s A Wonderful Life”!

It's A Wonderful Life (12/25, 9pm)

wonderfullife600_6
12/25 - 9PM
$12/free for members

“It’s a great — really great — film, so densely well made that to watch any three minutes is to realize how paltry the vast majority of movies are by comparison.” — Richard T. Jameson

“The epiphany of movie sentiment and a transcendent experience.” — Dave Kehr

It’s a Wonderful Life has earned its legion of followers because it effectively touches upon one basic truth of life that we all would like to believe — that each of us, no matter how apparently insignificant, has the power to make a difference.” — Reelviews

If you’ve only seen it in scratchy, fuzzy UHF television presentations — if you watch it once a year, every year — if you’ve never seen it before — or if you fall somewhere in-between — then you owe it to yourself, your kids, your parents, your grandkids, your grandparents, the cousins, and any other living human combination to see Frank Capra’s immortal classic on the big screen. Jimmy Stewart was born to play the role of George Bailey, the Everyman whose unflappable spirit (even in the face of the deepest despair) has been of quintessential importance to American popular culture for the last several decades. Having lost not one iota of its emotional power, It’s A Wonderful Life is an unmistakable treasure, and might just be the true meaning of Christmas.
Dir. Frank Capra, 1946, 35mm, 130 min.

Watch Cinefamily’s original trailer for “It’s A Wonderful Life”!

Greaser's Palace (12/26)

GreasersPalace2_480
12/26 - 7:15PM
$12/free for members

Description coming soon…
Dir. Robert Downey Sr., 1972, 35mm, 90 min.

Watch an excerpt from “Greaser’s Palace”!
YouTube Preview Image

Why Don't You Play In Hell? (12/26)

WDYPiH3_480
12/26 - 9:30PM
$12/free for members

“Mankind’s greatest achievement.” — David Erhlich, Film.com

The once-in-a-generation filmmaker behind Love Exposure, Cold Fish and Guilty of Romance is back with yet another endlessly irreverent, wild and hilariously visceral big-screen thrill that’s almost too much for words. Even in a cinematic landscape where every second or third Japanese film is totally crazy-pants, Sion Sono’s body of work is unparalleled in its ability to seamlessly blend a melee of outré ideas with such a solidly humanist core. His latest to hit Stateside, Why Don’t You Play In Hell? is a love letter to the yakuza movies of yore, to the local Cinefamily-esque “film clubs” of his youth and to 35mm film itself. There’s a war going on, but that won’t stop the inexperienced, wannabe crew The Fuck Bombers from making the ultimate action epic of their dreams. Their wish comes true in the form of a yakuza boss who, on the eve of his revenge against a deadly rival, bankrolls the Bombers’ masterpiece: a real, live blood-soaked gangster battle to the death — captured on 35mm! Infused with his trademark excess and outrageousness, this is Sion Sono with his talent and unique vision totally unleashed.
Dir. Sion Sono, 2013, DCP, 130 min.

To watch the trailer for “Why Don’t You Play In Hell?”, visit the top of this series page!

Greaser's Palace (12/27, 4:30pm)

GreasersPalace1_480_309
12/27 - 4:30PM
$12/free for members

Description coming soon…
Dir. Robert Downey Sr., 1972, 35mm, 90 min.

Watch an excerpt from “Greaser’s Palace”!
YouTube Preview Image

Greaser's Palace (12/27, 7pm)

GreasersPalace3_480
12/27 - 7PM
$12/free for members

Description coming soon…
Dir. Robert Downey Sr., 1972, 35mm, 90 min.

Watch an excerpt from “Greaser’s Palace”!
YouTube Preview Image

Why Don't You Play In Hell? (12/27)

WDYPiH4_480
12/27 - 9:15PM
$12/free for members

“Mankind’s greatest achievement.” — David Erhlich, Film.com

The once-in-a-generation filmmaker behind Love Exposure, Cold Fish and Guilty of Romance is back with yet another endlessly irreverent, wild and hilariously visceral big-screen thrill that’s almost too much for words. Even in a cinematic landscape where every second or third Japanese film is totally crazy-pants, Sion Sono’s body of work is unparalleled in its ability to seamlessly blend a melee of outré ideas with such a solidly humanist core. His latest to hit Stateside, Why Don’t You Play In Hell? is a love letter to the yakuza movies of yore, to the local Cinefamily-esque “film clubs” of his youth and to 35mm film itself. There’s a war going on, but that won’t stop the inexperienced, wannabe crew The Fuck Bombers from making the ultimate action epic of their dreams. Their wish comes true in the form of a yakuza boss who, on the eve of his revenge against a deadly rival, bankrolls the Bombers’ masterpiece: a real, live blood-soaked gangster battle to the death — captured on 35mm! Infused with his trademark excess and outrageousness, this is Sion Sono with his talent and unique vision totally unleashed.
Dir. Sion Sono, 2013, DCP, 130 min.

To watch the trailer for “Why Don’t You Play In Hell?”, visit the top of this series page!

Greaser's Palace (12/28)

GreasersPalace4_480
12/28 - 5PM
$12/free for members

Description coming soon…
Dir. Robert Downey Sr., 1972, 35mm, 90 min.

Watch an excerpt from “Greaser’s Palace”!
YouTube Preview Image

GREG PROOPS FILM CLUB: My Man Godfrey

gregproops_mymangodfrey_website
12/28 - 7:30PM
$12/free for members

Greg Proops (one of the most mind-warpingly quick-draw improv comics on earth) records his monthly Film Club podcast live — and then it’s time for one of the most screwy of all screwball comedies from the Thirties. Greg sez: “In this year of discord we celebrate the holidays with an anti-rich people movie. My Man Godfrey is one picture that can justly be described as delightful. The debonair William Powell is homeless (that alone was a big laugh, for he also played the distinctly upscale detective The Thin Man) when two rich, shallow sisters (the fabulous Carole Lombard and the feisty Gail Patrick) on a scavenger hunt convince him to come uptown and be gaped at by callous sophisticates for five bucks. When he does, he’s disgusted by how mindless and insipid the rich are; the family is a living trainwreck of abuse and eccentricities. Horses in the living room, a live-in gigolo and unswerving vapidity. This movie anticipates the nation-state of Kardashia, and pays off big time. Let’s have a fun revolution. Forget the guillotines. Brandish some wit. Join us, you will, loves.”
Dir. Gregory La Cava, 1936, 35mm, 93 min.

Q: Does Greg talk over the movies, like the Benson Interruption?
A: No. It is a recording of his podcast, followed by a screening of the film.

Watch an excerpt from “My Man Godfrey”!
YouTube Preview Image

Why Don't You Play In Hell? (12/28)

WDYPiH_480
12/28 - 10:30PM
$12/free for members

“Mankind’s greatest achievement.” — David Erhlich, Film.com

The once-in-a-generation filmmaker behind Love Exposure, Cold Fish and Guilty of Romance is back with yet another endlessly irreverent, wild and hilariously visceral big-screen thrill that’s almost too much for words. Even in a cinematic landscape where every second or third Japanese film is totally crazy-pants, Sion Sono’s body of work is unparalleled in its ability to seamlessly blend a melee of outré ideas with such a solidly humanist core. His latest to hit Stateside, Why Don’t You Play In Hell? is a love letter to the yakuza movies of yore, to the local Cinefamily-esque “film clubs” of his youth and to 35mm film itself. There’s a war going on, but that won’t stop the inexperienced, wannabe crew The Fuck Bombers from making the ultimate action epic of their dreams. Their wish comes true in the form of a yakuza boss who, on the eve of his revenge against a deadly rival, bankrolls the Bombers’ masterpiece: a real, live blood-soaked gangster battle to the death — captured on 35mm! Infused with his trademark excess and outrageousness, this is Sion Sono with his talent and unique vision totally unleashed.
Dir. Sion Sono, 2013, DCP, 130 min.

To watch the trailer for “Why Don’t You Play In Hell?”, visit the top of this series page!

Greaser's Palace (12/29)

GreasersPalace2_480
12/29 - 7:30PM
$12/free for members

Description coming soon…
Dir. Robert Downey Sr., 1972, 35mm, 90 min.

Watch an excerpt from “Greaser’s Palace”!
YouTube Preview Image

Why Don't You Play In Hell? (12/29)

WDYPiH2_480
12/29 - 9:45PM
$12/free for members

“Mankind’s greatest achievement.” — David Erhlich, Film.com

The once-in-a-generation filmmaker behind Love Exposure, Cold Fish and Guilty of Romance is back with yet another endlessly irreverent, wild and hilariously visceral big-screen thrill that’s almost too much for words. Even in a cinematic landscape where every second or third Japanese film is totally crazy-pants, Sion Sono’s body of work is unparalleled in its ability to seamlessly blend a melee of outré ideas with such a solidly humanist core. His latest to hit Stateside, Why Don’t You Play In Hell? is a love letter to the yakuza movies of yore, to the local Cinefamily-esque “film clubs” of his youth and to 35mm film itself. There’s a war going on, but that won’t stop the inexperienced, wannabe crew The Fuck Bombers from making the ultimate action epic of their dreams. Their wish comes true in the form of a yakuza boss who, on the eve of his revenge against a deadly rival, bankrolls the Bombers’ masterpiece: a real, live blood-soaked gangster battle to the death — captured on 35mm! Infused with his trademark excess and outrageousness, this is Sion Sono with his talent and unique vision totally unleashed.
Dir. Sion Sono, 2013, DCP, 130 min.

To watch the trailer for “Why Don’t You Play In Hell?”, visit the top of this series page!

Why Don't You Play In Hell? (12/30)

WDYPiH3_480
12/30 - 7:30PM
$12/free for members

“Mankind’s greatest achievement.” — David Erhlich, Film.com

The once-in-a-generation filmmaker behind Love Exposure, Cold Fish and Guilty of Romance is back with yet another endlessly irreverent, wild and hilariously visceral big-screen thrill that’s almost too much for words. Even in a cinematic landscape where every second or third Japanese film is totally crazy-pants, Sion Sono’s body of work is unparalleled in its ability to seamlessly blend a melee of outré ideas with such a solidly humanist core. His latest to hit Stateside, Why Don’t You Play In Hell? is a love letter to the yakuza movies of yore, to the local Cinefamily-esque “film clubs” of his youth and to 35mm film itself. There’s a war going on, but that won’t stop the inexperienced, wannabe crew The Fuck Bombers from making the ultimate action epic of their dreams. Their wish comes true in the form of a yakuza boss who, on the eve of his revenge against a deadly rival, bankrolls the Bombers’ masterpiece: a real, live blood-soaked gangster battle to the death — captured on 35mm! Infused with his trademark excess and outrageousness, this is Sion Sono with his talent and unique vision totally unleashed.
Dir. Sion Sono, 2013, DCP, 130 min.

To watch the trailer for “Why Don’t You Play In Hell?”, visit the top of this series page!

Greaser's Palace (12/30)

GreasersPalace1_480_309
12/30 - 10:30PM
$12/free for members

Description coming soon…
Dir. Robert Downey Sr., 1972, 35mm, 90 min.

Watch an excerpt from “Greaser’s Palace”!
YouTube Preview Image

ANIMATION BREAKDOWN: Classic Animated Music Videos REMIXED!

abd_classicmusicvideos_website
1/15 - 10:30PM
$12/free for members

Co-presented by EVERYTHING IS TERRIBLE!

All of your favorite ’80s/’90s animated music videos — presented in live remixes of the songs by special guests! Sing karaoke on the big screen to your most cherished MTV memories!

(Full description coming soon…)

Watch the vintage Paula Abdul animated music video “Opposites Attract”!
YouTube Preview Image

ANIMATION BREAKDOWN: Devin Flynn & Friends

abd_devinflynn_website
2/12 - 10PM
$12/free for members

Most well known for his Webby-awarded series Y’all So Stupid, Devin Flynn has animated for an all-star selection of tripped-out wonders: Wonder Showzen, Aquateen Hunger Force Movie, Xavier: Renegade Angel and Yo Gabba Gabba, as well as music videos for Flying Lotus and The Alchemist. Join Devin and friends for a night of weird and wooly clips!

Watch the pilot for Devin Flynn’s “SuperStupid”!
YouTube Preview Image

Page 1 of 2712345...1020...Last »
google sira bulucu google sira bulucu google sira bulucu php script encode php script encoder kanunlar kanunlar tuzukler google sira bulucu google sira bulucu google sira bulucu google sira bulucu seo