A Pigeon Sat On A Branch Reflecting On Existence (8/3)

The most distinctive Swedish filmmaker since Ingmar Bergman, Roy Andersson concludes the trilogy he began with the acclaimed Songs from the Second Floor and You, the Living with this astonishing mixture of the absurd, the hilarious, the shocking, and the horrifying. Presented as a series of darkly comic vignettes, Pigeon shifts between two loose narrative strands: in one, two hapless novelty salesmen wander around town trying to sell their inventory of vampire fangs and rubber masks; in the other, Charles XII, Sweden’s most bellicose king, reappears in modern times to carry on his series of disastrous defeats. Shifting between nightmare, fantasy, reverie, and even an impromptu musical number, Pigeon is a dazzling, provocative, and very disturbing critique of our times. —TIFF

Dir. Roy Andersson, 2014, DCP, 101 min.